Blogelstein!
stpancras
I'm Jean Hannah Edelstein, a writer, editor, and author, originally from New York, now a Londoner.

This is my personal blog, with things that I'm reading, writing, liking, and thinking about.

About me
Email me
Follow me on Twitter
View my journalism portfolio
Read my fiction and essays
Discuss copywriting projects
See what I'm currently reading
Read Himglish and Femalese
(the book I wrote)

(via Large Reclining Nude (The Pink Nude), Henri Matisse)
Today I went for the first time to the Baltimore Museum of Art, which is perhaps more fantastic than you might expect a museum in Baltimore to be (it’s really fantastic). The collection includes an amazing selection of works purchased by Claribel and Etta Cone, Baltimore natives and important collectors in the first half of the twentieth century (and notably, close friends of Gertrude Stein). Of the paintings in the collection, this one struck me the most, not just because of its beauty, but because of the story behind its generation. 
Matisse worked over a multitude of different versions of this particular painting, over several months, sending Etta Cone 22 photographs of the work in progress. Thus, when she traveled to Europe to see the final product, she was very engaged in the creative process, keen to see the final version and to buy it.
A masterful example not just of painting, but of marketing.

(via Large Reclining Nude (The Pink Nude), Henri Matisse)

Today I went for the first time to the Baltimore Museum of Art, which is perhaps more fantastic than you might expect a museum in Baltimore to be (it’s really fantastic). The collection includes an amazing selection of works purchased by Claribel and Etta Cone, Baltimore natives and important collectors in the first half of the twentieth century (and notably, close friends of Gertrude Stein). Of the paintings in the collection, this one struck me the most, not just because of its beauty, but because of the story behind its generation.

Matisse worked over a multitude of different versions of this particular painting, over several months, sending Etta Cone 22 photographs of the work in progress. Thus, when she traveled to Europe to see the final product, she was very engaged in the creative process, keen to see the final version and to buy it.

A masterful example not just of painting, but of marketing.

  3:45 am  |   December 29 2011   |  1 note   |  View comments  

  1. redsupro liked this
  2. jeanhannah posted this
blog comments powered by Disqus
Back   |   Next
twentyten by Justin Waggoner